Fun fact: I woke up one morning in late 2025 and just thought, āNope⦠Iām not doing this anymore.ā What is āthis,ā you ask? Well buckle up because Iām going to lay it out for you in the plainest language possible. The truth is āthisā isnāt a singular thing; itās a culmination of BS in the publishing world that Iām just not willing to participate in. Hereās the rundown:
NO MORE WRITING TO TRENDS
Now, Iām sure that there are authors/publishers out there that would say this is career suicide, and maybe theyāre right, but I CANNOT handle the jump on that train mentality that leads to a glut of formulaic books that feel like theyāve been copy/pasted/packaged to be like the ones we all LOVED in the beginning. It also clogs up the traditional publishing market because THEY start following these trends and have no interest in branching out into anything different until one of them dares to take a chance on āsomething newā and it takes off, shifting the market once again. Trying to predict these shifts/changes is impossible and exhausting, and Iām just not gonna do it. Iām writing what *I* want to write/read and letting the chips fall where they may. I didnāt start writing to gamble; I did it because I wanted to read certain types of books so I wrote them.
NO MORE PUTTING UNNECESSARY DEADLINES ON MYSELF
Do I need deadlines? Yes, because ADHD, but I wonāt set releases months away and work tirelessly to meet them. Will this hurt my pre-orders? Probably. Will it help my sanity and my stress level? Yep. Sure will, and as Iām pushing 50, I realize thatās more important than cranking out content to stay relevant. Period. The goal should be to put out the best book possible and I wonāt sacrifice that to rapid release new works.
NO MORE STRESSING ABOUT SOCIAL MEDIA
Ugggggh, do I have a love/hate relationship with SM. Can it be helpful? I guess so, but there is so much jockeying and learning and trial/error that comes with it that it can consume SO MUCH of my time (writing time, to be exact) that I find it counterproductive at some point. Rather than worrying about if something is perfect before posting, Iām going rogue. Is my hair a ratās nest? Sure. No makeup? Probably. Rambling nonsensically? Highly likely, but thatās who I am and what I do so it feels authentic and I think thereās a market for that in this curated world. And if there isnātā¦oh well.
NO MORE TAKING CRITICISM FROM ANYONE WHO FEELS LIKE SHARING IT
Thatās just a hard no all the way around. Do I read critical reviews of my books? Absolutely! Thereās a lot to be learned in those 3 star reviews, especially from readers who are new to my backlist. But will I sit and listen to someone who wants to tell me what I could have done better on a book I wrote five years ago in a series thatās already complete? Nope. Nothing productive is coming from that, and I like my peace of mind soā¦.
NO MORE MISSING OUT ON FAMILY TIME TO WRITE
This one is pretty obvious but bears mentioning. I think I likely missed out on some things when my kids were younger so I could write, and while I wouldnāt say I regret that, I now realize that itās not how I wish to spend that time. Itās very easy to get caught up in your word count and demands of fans, and I see it happen to a lot of authors out there (myself included at times). But once you remove yourself from that energy, itās hard to want to go back to that.
NO MORE LETTING RANKINGS/REVIEWS/SALES DICTATE MY WORTH
Iāve been around a long time now in the publishing space. Iāve had two traditional publishing deals and self-published. Iāve had at least two series go viral (before BookTok and going viral was even a thing), and many others that have sold at least midlist well. Iāve weathered the highs and lows of this everchanging market without sacrificing quality or who I am in the process. But I have absolutely been guilty of thinking I suck because a new release doesnāt hit hard/sell as well as the last/rate as highly. Iāve been discouraged from finishing projects I was so excited about because of the momentum loss those things can breed. This has been and still is the part of publishing that I struggle with the most. Itās like itās never enough. If you hit a list, it wasnāt high enough. If you sell like crazy, itās not as crazy as someone else. Comparison really is the thief of joy, and Iāve seen in real time what that can do to a career and your mental. So, moving forward, Iām not buying into it anymore. Iām writing because *I* like the story and the characters, and *I* would want to buy and read it if I hadnāt written it. That is going to be my satisfaction, not the external validationā¦
But donāt get me wrong. Iād love for another series to go viral, to make ALLL the $$$ and win all the awards and have all the ratings. Iād be a fool not to So please do keep buying and reading and reviewing them, and posting and messaging me about them. I may not be letting those things dictate my worth, but I do still love them.
As always, thank you for being a reader and a fan.
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All Myra Morningtide wants to do is go home.
Unfortunately for the cursed mermaid, sheās been banished from the sea and landlocked in The Devilās Playgroundāa rogue pocket of Seattle that the outcasts and miscreants of the supernatural world call home. Myra would do anything for the chance to return and enact revenge on the one who betrayed her; the one responsible for her punishment.
And Yael Kristoris plans to exploit that truth.
The charming yet cunning fae from Myraās recent past canāt be trusted, but when deadly events force her into a magically binding deal with him, she has no choice but to use her secret power to help find what he seeks if she wants a shot at the vengeance she craves.
But as it goes in The Playground, exposure is dangerous and secrets can kill, and Myra fears Yael will risk both to meet his endāeven if it causes hers.
THE DEVIL AND THE DEEP, the first gritty urban fantasy romance novel in theĀ The Devilās PlaygroundĀ series byĀ USA TodayĀ bestselling author Amber Lynn Natusch.
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An assassin. A killer of killers. A usurped king.
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Victory is sweetāvengeance is sweeter.
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